We were again tasked with setting it in a world of our own choice, challenging our creativity.
I initially wanted to set mine in the baroque to make a grand opera, but realising it was too safe for the project, I decided to do a darker version of Faust, setting the whole play in Mephistopheles' world, with everyone rotting and decaying, but still in their finery.
The soldier Wagner -
Siebel -
The soldier Valentin -
Living Faust, young -
Rotting faust, young -
Mephistopheles -
Living Marguerite -
Rotting Marguerite -
Ingen kommentarer:
Legg inn en kommentar